Only Murders in the Building, season 2 review: a fond and fun homage to screwball comedies
Steve Martin and Martin Short's acclaimed comedy-drama is back – but this time the sleuths have become the suspects
Advertisement
Lenny Henry’s Caribbean Britain, review: how Windrush changed the country
The comedian and actor fronted an informative and entertaining documentary about lesser-known black champions of arts and culture
Amol Rajan Interviews Billie Jean King, review: allowing age and wisdom to take centre court
The former world No 1 tennis player was a dream interview, reflecting on her life and career with eloquence and energy
Obi-Wan Kenobi, finale, review: finally, a Star Wars instalment worthy of the name
A broadly underwhelming first series is saved by a finale that felt like proper, old-school Star Wars - warning, spoilers below
Man vs Bee, review: Rowan Atkinson's bumbling comic creation seems awfully familiar
This buzzy little slapstick comedy is good enough fun, but pales next Blackadder, Johnny English and, of course, Mr Bean
50 Years of Glastonbury: the perfect warm-up for next weekend's festival
The BBC documentary featured interesting insights from Noel Gallagher, Stormzy and Glasto’s co-creator Michael Eavis
Suspect, review: Channel 4 must stop pumping out derivative Euro trash
This odd and hammy crime drama series, starring James Nesbitt, feels distinctly European in style and script
Remembering the heatwave of 1976: standpipes, droughts and forest fires
Channel 5 brought us a flush of balmy nostalgia as the nation cooled down from a scorching week - but it had nothing on the summer of '76
Not even Brian Cox's awestruck whisper could inject life into this dreary Mars mission
Brian Cox: Seven Days on Mars saw the professor in as enthusiastic mood as ever, but the day-to-day work of Nasa is not exactly thrilling
The UK's worst place for dog mess revealed (and what can be done about it)
Alexis Conran's impassioned documentary investigated the plague blighting our public spaces – and suggested potential solutions
The Lazarus Project, review: this time-travelling sci-fi thriller should quit while it's ahead
Sky’s new series, starring an excellent Paapa Essiedu, is eminently watchable but full of clichés that make it feel wearily familiar
The Savoy, review: foul-mouthed Gordon Ramsay is upstaged by the ordinary staff
It was the Savoy’s gracious employees, rather than the sweary chef, who deserved more screen time in ITV’s behind-the-scenes documentary
Advertisement
What Killed the Whale?, review: a sobering message drowned by the action-film editing
Informative look at the dangers facing whales as a result of humans - but Channel 4 couldn't resist some Bourne Identity-style production
The Fifteen Billion Pound Railway: Inside the Elizabeth Line, review: a dull journey
The BBC has been following the Elizabeth Line’s construction for 10 years but the final fine details made for tedious viewing
Becoming Elizabeth, review: injects familiar history with fresh wit and intrigue – and lots of sex
Anya Reiss's account of the Tudor court takes on a propulsive intensity, full of vomit and sex and cruelty.
My Name is Leon, review: foster-care drama jerks some tears, then pulls all its punches
This coming-of-age adaptation of the Kit de Waal novel, produced by Sir Lenny Henry, is brought to life by a fantastic Cole Martin
Avoidance, review: Romesh Ranganathan's sadcom creation is a punishing bore
Bleak sitcoms are all the rage these days, but the comedian has managed to make one with almost no redeeming features
This Is MY House, series 2, review: who can resist a nose around someone else's home?
Richard Madeley, Judi Love, Harry Hill and Harriet Kemsley form this week's panel of imposter-identifying sleuths
For All Mankind, season 3, review: sheer Nirvana as superb alt-history drama reaches the 1990s
This drama nods to the present in its alt-history 1990s scramble for Mars
Who Do You Think You Are? review: Richard Osman explores his convenient family history
This episode had its lovely moments, but the producers tried too hard to shoehorn coincidences into the narrative